a glance ahead
I'm delighted to be singing with Klangforum Wien again this year: I join them for a programme of Vivier and Kyriakides in Vienna in
January, for Jennifer Walshe's XXX_LIVE_NUDE_GIRLS!!! in Grenoble in March, and for a revival of Rebecca Saunders's Skin in Paris in June. Skin also takes me to Amsterdam in May, this time to perform it with Asko|Schönberg and Bas Wiegers. Closer to home, I'll be singing Three
Voices as part of the Principal Sound Festival at St John's Smith Square in February.
I also have a delicious glut of early music performances in London. I'll be singing Couperin's extraordinary Trois Leçons de Ténèbres with soprano Amy Wood, Bach's St John Passion with the Merbecke Choir in Southwark Cathedral and a sequence
of Bach arias for soprano and oboe with Rachel Chaplin. I'm also performing and recording some Bach Cantatas in Switzerland with the marvellous musicians of Gli Angeli Genève.
With EXAUDI I'll be performing in Principal Sound Festival, the BBC's Open Ear series, Beverley Early Music Festival, Time of Music Festival in Viitasaari, Finland,
and the Voix Nouvelles Academy at Royaumont Abbey.
My recording of Three Voices
continues to attract some ink: it was recently featured as one of the 100 best albums of 2017, according to The
Times, and was one of Kate Molleson's 20 best classical releases of 2017! You can still buy a copy here
. My recording with the wonderful,
indefatigable Mark Knoop of Bernhard Lang's The Cold Trip, part 2
was released on Kairos in August and has apparently sold out (a re-run is imminent). The world premiere of Rebecca
is also included in the Donaueschinger Musiktage 2016 round-up released on NEOS. I'll soon be announcing the release on NMC of Andrew Hamilton's To The
(with Maxime Echardour), there's a special recording of Milton Babbitt's Philomel
on its way, and some Finnissy has just hit the wax...
In other news, I have been appointed Chapel Artist-in-Residence at Oxford House in Bethnal Green. As part of my residency, I am running a series and a symposium
dedicated to new music and held in the little wooden chapel up in the eaves of Oxford House. Read more about eavesdropping here.
Juliet gratefully acknowledges the generous support of the PRS Foundation
and Help Musicians UK's Transmission Fund