COMMISSIONS & PREMIERES
Click on the links to the left to see my NEW MUSIC / OLD MUSIC repertoire or to read more about my SPECIAL PROJECTS.
FORTHCOMING PREMIERES
Carola Bauckholt new work (2024; c.15') for soprano and violin
Kristine Tjøgersen new work (2024; c.15') for soprano and violin
Michele Bernabei new work (2024; 10') for soprano and violin
Polina Korobkova new work (2024; 10') for voice and turntables
RECENT PREMIERES
Songs After Nature (2024; 60'), a collaborative performance for soprano, double bass, recorders, dancer and shibari artist
* Pascale Criton liber (2024; c.20') for soprano and electronics
Lucy Armstrong / Haroon Mirza / Juliet Fraser Waking from Time (2024; 50') installation for soprano, clarinet, cello & elecs with video and sound sculptures
Angharad Davies Sitting with Emptiness (2022; 14') for soprano and ensemble
Larry Goves Crow Rotations (2022; 35') for soprano and ensemble
* Newton Armstrong The Book of the Sediments (2022; 20') for soprano and electronics
* Nwando Ebizie I Birth the Moon (2022; 11') for soprano and electronics
Øyvind Torvund Plans for Future Operas (2022; 50') for soprano, keyboards & projected drawings
* indicates works that I have commissioned
ALL THE WORKS THAT I HAVE COMMISSIONED SINCE TIME BEGAN
Pascale Criton liber (2024; 20') for soprano and electronics
Catherine Lamb the being/the world (2024; 65') for soprano and ensemble
Newton Armstrong The Book of the Sediments (2022; 20') for soprano and electronics
Nwando Ebizie I Birth the Moon (2022; 11') for soprano and electronics
Martin Smolka All is Ceiled (2022; 33') for soprano and double bass
Anna Zaradny E U P H O R I A O F F U R I E S (2022; 30') for voice, double bass and electronics
Pascale Criton Ritournelle pour J&F (2021; 10') for soprano and double bass
Luke Nickel Steel becomes silk, gravity recast (2021; 15') for voice, electronics and live simulated rollercoasters
Sivan Eldar Heave (solo version) (2019; 14') for voice and tape
Lisa Illean A through-grown earth (2018; 14') for voice and tape
Cassandra Miller Tracery (2017-2020; various durations) for voice and tape
Eleanor Cully I, as mouth (solo version) (2017; 8') for amplified voice and objects
Catherine Kontz Tea Break for Juliet (2017; 16') for tape
Nicholas Peters Scantlebury (2017; 10') for voice and tape
Michael Finnissy Andersen-Liederkreis (2016; 45') for soprano and piano
Bernhard Lang The Cold Trip, part 2 (2016; 40') for soprano, piano and playback
Andrew Hamiton To The People (2014; 35') for soprano and percussion
Matthew Shlomowitz Songs about words and about the pleasure of misery (2012; 20')
James Weeks Late Moons (2006; 3') for soprano, oboe and harp
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