COMMISSIONS & PREMIERES

 

Click on the links to the left to see my NEW MUSIC / OLD MUSIC repertoire or to read more about my SPECIAL PROJECTS.

 

FORTHCOMING PREMIERES

* Pascale Criton liber (2024; c.20') for soprano and electronics

Carola Bauckholt new work (2024; c.15') for soprano and violin

Kristine Tjøgersen new work (2024; c.15') for soprano and violin

 

RECENT PREMIERES

* Catherine Lamb the being/the world (2024; 65') for soprano and ensemble

Lucy Armstrong / Haroon Mirza / Juliet Fraser Waking from Time (2024; 50') installation for soprano, clarinet, cello & elecs with video and sound sculptures

Angharad Davies Sitting with Emptiness (2022; 14') for soprano and ensemble

Larry Goves Crow Rotations (2022; 35') for soprano and ensemble

* Newton Armstrong The Book of the Sediments (2022; 20') for soprano and electronics

* Nwando Ebizie I Birth the Moon (2022; 11') for soprano and electronics

Øyvind Torvund Plans for Future Operas (2022; 50') for soprano, keyboards & projected drawings

 

* indicates works that I have commissioned

 

ALL THE WORKS THAT I HAVE COMMISSIONED SINCE TIME BEGAN

Pascale Criton / liber (2024; 20') for soprano and electronics

Catherine Lamb the being/the world (2024; 65') for soprano and ensemble

Newton Armstrong The Book of the Sediments (2022; 20') for soprano and electronics

Nwando Ebizie I Birth the Moon (2022; 11') for soprano and electronics

Martin Smolka All is Ceiled (2022; 33') for soprano and double bass

Anna Zaradny E U P H O R I A O F F U R I E S (2022; 30') for voice, double bass and electronics

Pascale Criton / Ritournelle pour J&F (2021; 10') for soprano and double bass

Laurence Crane Natural World (2021; 50') for soprano, piano and sampler
Lara Agar This Unquiet Autumn (2021; 12') for soprano, piano and sampler

Luke Nickel / Steel becomes silk, gravity recast (2021; 15') for voice, electronics and live simulated rollercoasters 

Sivan Eldar / Heave (solo version) (2019; 14') for voice and tape

Lisa Illean / A through-grown earth (2018; 14') for voice and tape

Cassandra Miller / Tracery (2017-2020; various durations) for voice and tape

Eleanor Cully / I, as mouth (solo version) (2017; 8') for amplified voice and objects

Catherine Kontz / Tea Break for Juliet (2017; 16') for tape

Nicholas Peters / Scantlebury (2017; 10') for voice and tape

Michael Finnissy / Andersen-Liederkreis (2016; 45') for soprano and piano

Bernhard Lang / The Cold Trip, part 2 (2016; 40') for soprano, piano and playback

Andrew Hamiton / To The People (2014; 35') for soprano and percussion

Matthew Shlomowitz / Songs about words and about the pleasure of misery (2012; 20')

James Weeks / Late Moons (2006; 3') for soprano, oboe and harp

 

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