COMMISSIONS & PREMIERES
Click on the links to the left to see my NEW MUSIC / OLD MUSIC repertoire or to read more about my SPECIAL PROJECTS.
FORTHCOMING PREMIERES
* Pascale Criton new work (2024; c.20') for soprano and electronics
Carola Bauckholt new work (2024; c.15') for soprano and violin
Kristine Tjøgersen new work (2024; c.20') for soprano and violin
RECENT PREMIERES
Lucy Armstrong / Haroon Mirza / Juliet Fraser Waking from Time (2024; 50') installation for soprano, clarinet, cello & elecs with video and sound sculptures
Angharad Davies Sitting with Emptiness (2022; 14') for soprano and ensemble
Larry Goves Crow Rotations (2022; 35') for soprano and ensemble
* Newton Armstrong The Book of the Sediments (2022; 20') for soprano and electronics
* Nwando Ebizie I Birth the Moon (2022; 11') for soprano and electronics
Cassandra Miller Thanksong (2020; 15') for soprano and string quartet
Gavin Bryars Wittgenstein Fragments (2022; 20') for soprano, flute and string quartet
Øyvind Torvund Plans for Future Operas (2022; 50') for soprano, keyboards & projected drawings
* indicates works that I have commissioned
ALL THE WORKS THAT I HAVE COMMISSIONED SINCE TIME BEGAN
Catherine Lamb the being / the world (2024; 65') for soprano and ensemble
Newton Armstrong The Book of the Sediments (2022; 20') for soprano and electronics
Nwando Ebizie I Birth the Moon (2022; 11') for soprano and electronics
Martin Smolka All is Ceiled (2022; 33') for soprano and double bass
Anna Zaradny E U P H O R I A O F F U R I E S (2022; 30') for voice, double bass and electronics
Pascale Criton / Ritournelle pour J&F (2021; 10') for soprano and double bass
Luke Nickel / Steel becomes silk, gravity recast (2021; 15') for voice, electronics and live simulated rollercoasters
Sivan Eldar / Heave (solo version) (2019; 14') for voice and tape
Lisa Illean / A through-grown earth (2018; 14') for voice and tape
Cassandra Miller / Tracery (2017-2020; various durations) for voice and tape
Eleanor Cully / I, as mouth (solo version) (2017; 8') for amplified voice and objects
Catherine Kontz / Tea Break for Juliet (2017; 16') for tape
Nicholas Peters / Scantlebury (2017; 10') for voice and tape
Michael Finnissy / Andersen-Liederkreis (2016; 45') for soprano and piano
Bernhard Lang / The Cold Trip, part 2 (2016; 40') for soprano, piano and playback
Andrew Hamiton / To The People (2014; 35') for soprano and percussion
Matthew Shlomowitz / Songs about words and about the pleasure of misery (2012; 20')
James Weeks / Late Moons (2006; 3') for soprano, oboe and harp
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